Amy Sillman: The All-Over
Publisher: Dancing Foxes Press/Portikus, Frankfurt
Publication Date: 2017
Binding: Hardcover
Book Condition: New
Edition: 1st
Hardcover, 163pp. 7.9 x 0.6 x 10.6 inches. Sealed, new. The ALL-OVER provides a comprehensive overview of Sillman s recent bodies of work, including painting and serially exhibited large-scale abstractions, as well as diagrams, drawings, animations and sculpture. The title of the book, and the exhibition it accompanies at Frankfurt's Portikus, refers to a concept often used to describe abstract painting (the classic instance of which is the work of Jackson Pollock). Much of Sillman s oeuvre can be categorized as such, although her abstractions often suggest recognizable forms and figures.
Publisher: Dancing Foxes Press/Portikus, Frankfurt
Publication Date: 2017
Binding: Hardcover
Book Condition: New
Edition: 1st
Hardcover, 163pp. 7.9 x 0.6 x 10.6 inches. Sealed, new. The ALL-OVER provides a comprehensive overview of Sillman s recent bodies of work, including painting and serially exhibited large-scale abstractions, as well as diagrams, drawings, animations and sculpture. The title of the book, and the exhibition it accompanies at Frankfurt's Portikus, refers to a concept often used to describe abstract painting (the classic instance of which is the work of Jackson Pollock). Much of Sillman s oeuvre can be categorized as such, although her abstractions often suggest recognizable forms and figures.
Publisher: Dancing Foxes Press/Portikus, Frankfurt
Publication Date: 2017
Binding: Hardcover
Book Condition: New
Edition: 1st
Hardcover, 163pp. 7.9 x 0.6 x 10.6 inches. Sealed, new. The ALL-OVER provides a comprehensive overview of Sillman s recent bodies of work, including painting and serially exhibited large-scale abstractions, as well as diagrams, drawings, animations and sculpture. The title of the book, and the exhibition it accompanies at Frankfurt's Portikus, refers to a concept often used to describe abstract painting (the classic instance of which is the work of Jackson Pollock). Much of Sillman s oeuvre can be categorized as such, although her abstractions often suggest recognizable forms and figures.