Sam Gilliam: The Music of Color: 1967-1973
Publisher: Walther König, Köln
Publication Date: 2018
Binding: Soft cover
Condition: New
Softcover, 191 pgs. Still sealed; new. Between 1967 and 1973, American abstract painter Sam Gilliam (born 1933) undertook some of the most radical work of his six-decade-plus career, a period culminating in Gilliam's representing the US at the Venice Biennale in 1972. The work, including his Martin Luther King series and Jail Jungle series, reflected the fractured political climate of this period. The work in Sam Gilliam: The Music of Color conveys the influence of the DC Color Field school on Gilliam's art, and his blending of the lines between sculpture and painting.
Publisher: Walther König, Köln
Publication Date: 2018
Binding: Soft cover
Condition: New
Softcover, 191 pgs. Still sealed; new. Between 1967 and 1973, American abstract painter Sam Gilliam (born 1933) undertook some of the most radical work of his six-decade-plus career, a period culminating in Gilliam's representing the US at the Venice Biennale in 1972. The work, including his Martin Luther King series and Jail Jungle series, reflected the fractured political climate of this period. The work in Sam Gilliam: The Music of Color conveys the influence of the DC Color Field school on Gilliam's art, and his blending of the lines between sculpture and painting.
Publisher: Walther König, Köln
Publication Date: 2018
Binding: Soft cover
Condition: New
Softcover, 191 pgs. Still sealed; new. Between 1967 and 1973, American abstract painter Sam Gilliam (born 1933) undertook some of the most radical work of his six-decade-plus career, a period culminating in Gilliam's representing the US at the Venice Biennale in 1972. The work, including his Martin Luther King series and Jail Jungle series, reflected the fractured political climate of this period. The work in Sam Gilliam: The Music of Color conveys the influence of the DC Color Field school on Gilliam's art, and his blending of the lines between sculpture and painting.